The Era And Error Of The Cross-Overs
In modern society music has become such a powerful industry, that even those who know that they are being destroyed by it, yield themselves to it as if it has some sort of controlling power. We would have to admit that music does seem to help set the pace for trends and all kinds of communication and association in the modern world. Within the industry, the fame and popularity along with the mass dollars and accolades can be overwhelming for those who are unprepared yet alone for those who are prepared. Artists often set aside personal commitments, compromising values and complete value systems in pursuit of the fame that the industry has to offer.
From Secular Music To Gospel Music
There has always been those who have left the church to sing and pursue secular music. In fact the foundation of modern secular music is arguably the church itself. What many don't know is that at it's early inception, modern gospel music was the product of of the secular music's desire to "cross-over" into the gospel music arena. Thomas A Dorsey (1899-1993) who was a secular blues musician, stated the following regarding his expansion of musical style into the church:
He indicates the "gospel idea" to display the idea of gospel music being driven by what was then deemed as secular music, rhythms and beats.
From Gospel Music To Secular Music
Known as the original cross over singer, Sam Cooke (January 22, 1931 – December 11, 1964) received his training at the age of 10 while a part of the gospel Soul Stirrers, led by Rebert H. Harris. After leaving the group for fame, popularity and money Sam would go on to an astounding career but die under very suspicious circumstances at at the age of 33.
Others who would cross-over in pursuit of the same things are names such as Ashford and Simpson who's gospel name was The Followers, Chuck Jackson of the gospel group Raspberry Singers, Wilson Pickett from the Violinares, Johnny Taylor of The Highway QCs and Bobby Womack of The Womack Singers who signed with SAR Records -[Sam Cook] and were renamed the Valentinos.
In this segment we wanted to look back at not only the historic trend of how gospel music and musicians have mixed themselves with the world and ultimately the devil, but also look at the impact that a few personalities have had on the modern secular and gospel music industries and ask the question, should gospel even be an industry?
In modern society music has become such a powerful industry, that even those who know that they are being destroyed by it, yield themselves to it as if it has some sort of controlling power. We would have to admit that music does seem to help set the pace for trends and all kinds of communication and association in the modern world. Within the industry, the fame and popularity along with the mass dollars and accolades can be overwhelming for those who are unprepared yet alone for those who are prepared. Artists often set aside personal commitments, compromising values and complete value systems in pursuit of the fame that the industry has to offer.
From Secular Music To Gospel Music
There has always been those who have left the church to sing and pursue secular music. In fact the foundation of modern secular music is arguably the church itself. What many don't know is that at it's early inception, modern gospel music was the product of of the secular music's desire to "cross-over" into the gospel music arena. Thomas A Dorsey (1899-1993) who was a secular blues musician, stated the following regarding his expansion of musical style into the church: 
"When I realized how hard some folks were fighting the gospel idea, I was determined to carry the banner."..."I borrowed five dollars and sent out 500 copies of my song, 'If You See My Savior,' to churches throughout the country.... It was three years before I got a single order. I felt like going back to the blues." ~ Score Magazine "The Father of Gospel Music" 1994
From Gospel Music To Secular Music
Known as the original cross over singer, Sam Cooke (January 22, 1931 – December 11, 1964) received his training at the age of 10 while a part of the gospel Soul Stirrers, led by Rebert H. Harris. After leaving the group for fame, popularity and money Sam would go on to an astounding career but die under very suspicious circumstances at at the age of 33.
Others who would cross-over in pursuit of the same things are names such as Ashford and Simpson who's gospel name was The Followers, Chuck Jackson of the gospel group Raspberry Singers, Wilson Pickett from the Violinares, Johnny Taylor of The Highway QCs and Bobby Womack of The Womack Singers who signed with SAR Records -[Sam Cook] and were renamed the Valentinos.
Many of us can remember that it was Aretha Franklin "Soul Sister #1" who forged her career out of the Baptist church of her father Rev. C.L. Franklin. We also know that it was Donnie Hathaway (1945-1979) whose song "This Christmas" written in 1970 that set the standard for Christmas songs all over America during the holiday season. Unfortunately, this former church musician reportedly committed suicide in 1979 over his love and passion for a married woman and co-singer, Roberta Flack. According to the most accurate story, Hathaway threw himself out of the window in front of Flack to demonstrate his love. Not only was this stupid, it was certainly demonically inspired.
The Modern & Recent Resurgence Of Cross-Over
In this segment we wanted to look back at not only the historic trend of how gospel music and musicians have mixed themselves with the world and ultimately the devil, but also look at the impact that a few personalities have had on the modern secular and gospel music industries and ask the question, should gospel even be an industry?
As noted, there have been individuals who have left the gospel to pursue careers within the hip-hop music industry and the impact has certainly been made. however it would seem that the greatest impact upon the culture has come at the hands and perverted gifts of those who once claimed to be children of God.
From Evangelism To Sexual Perversion
In what seems like ancient history for many individuals now in their early to mid 30's, the group called Jodeci offered an appeal that was almost hypnotic to their fans. Combining the rifts and crooning of the streets with a gospel and heart felt tone of soul, the multi-platinum selling Jodeci swept many young people off their feet and ushered in a new era of R & B street and hip-hop combination music. This era (late 80's and early 90's) was known as the "New Jack Swing" era of street music and gave rise to many crossover artists seeking to expand their audience.
In what seems like ancient history for many individuals now in their early to mid 30's, the group called Jodeci offered an appeal that was almost hypnotic to their fans. Combining the rifts and crooning of the streets with a gospel and heart felt tone of soul, the multi-platinum selling Jodeci swept many young people off their feet and ushered in a new era of R & B street and hip-hop combination music. This era (late 80's and early 90's) was known as the "New Jack Swing" era of street music and gave rise to many crossover artists seeking to expand their audience.
The first part of the quartet consisted of Cedric Hailey (K-Ci), 9/2/1969; Joel Hailey (JoJo) 6/10/1971; both brothers born in Charlotte, North Carolina; parents were gospel singers; that formed a group called Little Cedric and The Hailey Singers. Part 2 consisted of Dalvin DeGrate 7/23/1971 and Donald (DeVante Swing) DeGrate, Jr. 9/24/1969 were born in Hampton, VA. Their parents were Donald DeGrate, Sr. and Mary DeGrate and formed the group The DeGrate Delegation who made regular tours throught the country and especially the South. The Degrate Delegation had one of the first gospel music tracks to ever hit Billboard's top 10 dance charts. The song was "I Wanna Be Ready". Jodeci was discovered by rapper Heavy D and signed by Uptown records President, Andre Harrell.
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